So Long Seattle
Actor Laurence Ballard rants in retrospect on life in a not-so-little city.
Monday, November 17, 2008, 11:35 am
Filed under: Asides
Actor Laurence Ballard rants in retrospect on life in a not-so-little city.
While linking contacts to the new SOMArts Flickr page, I discovered these amazing photos of the 40th Anniversary of the Neighborhood Arts Program.
I always enjoy this NY Times feature, but last week's was particularly good.
Actor Laurence Ballard rants in retrospect on life in a not-so-little city.
Here is the NY Sun story.
I had the pleasure of attending the Rebel Reading Series last night in San Francisco, featuring Ellen Sussman. Ellen's book Dirty Words was also featued this week on Very Short List, sure to be one of my new daily pit-stops in the blogosphere.
Tonight ... seeing Shepard Fairey: Duality of Humanity at White Walls.
The Mountain Goats' John Darnielle and Kaki King record a song inspired by Toad, of Mario Bros fame.
John Arroyo tipped me off to this poll on Barry's Blog . If anyone needed motivation to join Americans for the Arts, it is worth noting that I live in a small town in a small state, and my affiliation with AftA has introduced me to 13 people on this list.
Joe Patti, author of Butts in the Seats, addresses the perils of staying with—or straying from—the pack.
The Bush Foundation, one of Minnesota's largest philanthropic funding groups, announces a shift.
Edward Lifson's photo-tastic blog post about DIY LeWitt .
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November 18th, 2008 at 7:50 am
In my mid-fifties, I’ve earned a retrospected rant or two.
Individuals on Seattle theatre boards are primarily there for their corporate networking and business connections, not because they necessarily know - or care - jack about creating art. Board members have used their corporate skills very well to apply a corporate business model to the administrative concerns of their institutions - to a fault. At larger institutions, department heads are paid at competitive market rates; actors working at the same are paid a fraction of that. At a performing arts institutions, nobody pays a dime to see Staff Heads appear onstage. Time to work just a wee bit harder now and do some real heavy lifting to actually create a reason why their institutions should exist in the first place.
November 18th, 2008 at 10:45 am
Thanks for the reply. I’m a huge fan of rants, Mike Daisey, and anyone who calls attention to difficult conditions for artists and suggests changes.