Panelists: Michelle Mansour, Executive Director, Root Division; Lex Leifheit, Executive Director,SOMArts; Ramekon O’Arwisters, Social Practice Artist – Facilitated by Melonie and Melorra Green, African American Arts and Culture Complex
SOMArts (South of Market Arts, Resources, Technology and Services) turns 35 this August. Right now, we are perceived as a thriving mid-sized organization in San Francisco. We have studio spaces including a print studio and darkroom that are used by working artists. We provide fiscal sponsorship, professional development and technical support in the form of stages, wheelchair lifts and pa systems for festivals such as the Malcolm X Jazz Arts Festival in Oakland and the Sisters of Perpetual Indulgence Easter Celebration. We provide deeply discounted space for 10 or more classes each week including martial arts, photography for people who are low-income and homeless, and after-school classes for teens.
Many people know SOMArts for its exhibitions and artistic partnerships. Between 50 and 60 organizations and artists produce their exhibitions, events and other activities annually at SOMArts and they range from fully-produced stage performances such as Man Dance Company’s Harvey Milk-inspired NutcrakOr ballet, to bicycle art fundraisers and Xicano graduation ceremonies, to the Bay Area American Indian Two Spirits third annual powwow.
Like many of you I’ve been closely following the news about organizations contracting, moving, and—in a few cases—embarking on ambitious capital campaigns. The role that SOMArts has played in the Bay Area arts ecosystem has shifted over the years in direct response to the needs of artists and organizations. For many years SOMArts was best known for our staging and support services, the organization was founded with the name “Friends of Support Services for the Arts”.
Six years ago, following several years of a support-services-mostly model, we owed $50,000 to individuals and organizations, and $20,000 to the bank. CONTINUE READING ]