Back in 2006 when I worked at Wesleyan University’s Center for the Arts, the CFA co-commissioned Liz Lerman’s Ferocious Beauty: Genome—a work created with, by and for scientists and students of science that was a cross-disciplinary catalyst for discussions about reproductive technologies, women’s health and social justice; stem cell research, religion and politics; genetics and race; and many other topics.
These days it is de riguer for arts organizations to have some sort of socially relevant talk accompanying a performance or exhibition. Liz Lerman and the CFA take it up a notch (or five) because they are masters at combining multilevel arts participation and community collaboration with economies of scale, the more deeply you look at this partnership, the more there is to see. The premiere of Ferocious Beauty sparked another idea for collaboration, and last week the Wesleyan Hughes Program in Life Sciences and the Liz Lerman Dance Exchange launched Science Choreography, an online toolkit for the embodied exploration of science through dance. CONTINUE READING ]



