All posts tagged San Francisco

Looking Back: Top Ten List, Year of the Rabbit

Okay, so use of “epic” is a little dramatic. Dan makes a Top Ten list every year and I thought I’d try it.

1. Bought a home
Home ownership is something I’ve wanted for over 10 years. Then we moved to San Francisco. A lot of friends told me it couldn’t happen here, but we stayed in our tiny studio and started saving and looking at every possible lending and homeownership program. I read every blog by anyone who might have helpful information, and trekked to dozens of open houses in unfamiliar neighborhoods.Working it all out was a minor miracle, but if we can do it then other people can too. Housing affordability across the US is at a record high but San Francisco is #1 (above NYC) least affordable rental and ownership market. I personally feel this is one of the most urgent problems facing our city.

2. Celebrated 1st Wedding Anniversary
Most of 2010 involved planning our wedding. 2011 was the first full year we were married. Love is good. CONTINUE READING ]

SF Dog Owner’s Guide: Link Roundup

Finding A Dog
Muttville (senior dog rescue)
Rocket Dog Rescue
SPCA
Wonder Dog Rescue (mainly small dogs)

Care & Feeding
George (very fancy gear for dogs & cats)
Noe Valley Pet (gear. also hosts adoption hours for Muttville)
Petco

CONTINUE READING ]

And Puppy Makes Four: Becoming a Dog Owner in San Francisco

Introducing ... Riggins!

It started with Rupert. Then came Loretta, followed by Momo and General Peaches. Getting a dog was the furthest thing from my mind as recently as six months ago; Dan and I have a wonderful cat named Stella. But it is a testament to the insidious persuasive nature of social networking that after Fibonnaci-rate growth of photos shared by our friends who appeared to live, work,and have a social life with their dogs, I caught puppy fever. Once we moved to Outer Sunset where there was a beach and a park and no landlord it was just a matter of time. In San Francisco, dogs outnumber kids by about 13,000. CONTINUE READING ]

Search and Decide—The Homebuying Process

About a month ago I promised to write a blog post about making homebuying decisions with a partner.

Several rough drafts later, I am admitting defeat. Dan and I get along ridiculously well and our decision-making process was pretty basic. We were thorough—we made a checklist of things we really wanted, and things that were deal-breakers. There were only 10-20 homes in San Francisco each month that were in our price range and could be financed with our FHA loan, and somewhat matched our checklist. Then we would go visit an open house and discover that “fixer-upper” meant it had no walls … or an unpermited in-law unit, or cracks in the foundation. So that narrowed it down to about three viable homes for sale each month, and most of those were sold above list price.

As this recent New York Times article points out, decision-making is stressful, period. We can only make a certain number of decisions each day with out getting fatigued. Certain kinds of decisions, such as trade-offs and compromises, are more taxing than others. Making decisions—even the “easy” ones—saps your energy and willpower.

We looked at flips. We explored unfamiliar neighborhoods. The hardest part for me was making the decisions without as much information as I would have liked. This happens more than you might imagine in the homebuying process.

Almost a year ago, the New York Times ran a photo essay, “In San Francisco, A Bleak Neighborhood is Revived.” Dan forwarded it to me because the neighborhood—Outer Sunset—reminded him of New London, Connecticut. He was suggesting we visit Trouble Coffee, or maybe get dinner at Outerlands… we hadn’t even started our home search yet. But I was in love with the beach and the fog and even the odd quiet outside-ness of the neighborhood. When a house came along in our price range we were with the crowd lined up outside the first day it was open for viewing. Unfortunately, it needed too much work. We saw it three times and named it “Bleak House” because we couldn’t take on the repairs it would have needed. CONTINUE READING ]

Money Matters: Affording a Home As A Non Dot-com

Stella naps because she doesn't have to pack boxes.

Thanks to everyone who chimed in on my first blog post about buying a home to share your struggles and victories. On Tuesday, I attended a mayoral debate and nearly all of the candidates were talking about the importance of affordable housing. Many of them have adressed the issue on their websites—if there was ever a time for advocacy on this issue, it’s now. The debate was exciting and inspired me to learn more.

If you are a nonprofit worker or an artist, chances are you make at or below median income. When Dan and I started looking for a home we examined every possible financing program.

Mortgages: Finding A Fit

We started looking in Massachusetts, where we required to take a free class to certify for a first-time homebuyer program. The 2011 income limits for participation in San Francisco’s first-time homebuyers program may be found on the Mayor’s Office of Housing website. Median income for one person is $71,100. For two people, it is $81,300.

One of the things that irks me about the city’s BMR program and other programs such as Fannie Mae’s HomePath is that the websites are not user friendly, and not kept current. If you look on the city’s site now, you will see a listing for a Bush Street Jr 1-bedroom for $229k that sold over three months ago.

I’m no expert, but in the past it seemed like people buying their entry-level home could expect to make a profit on the sale. With a BMR unit, the city dictates the resale price and your chances of making a profit are slim. However, profit is only one motivation for buying a home, and you can still build equity and write off your interest. CONTINUE READING ]

Mission Impossible? Buying a Home In San Francisco

New tree for our new place! Photo by @iamdanmckinley

Dan and I live in San Francisco on nonprofit salaries. When we moved here three years ago we went from sharing an apartment in North Adams, Massachusetts to renting two places and flying to see each other every four to six weeks. Our finances took a nosedive and even when we united in SF we thought we might never own a home. Housing is infamously expensive here.

And yet … we started saving. And saving, and saving. We stayed in our little studio apartment even though Dan worked from home, which meant he stared at the same four walls all day long. The housing market continued to plummet, interest rates and prices dropped. Dan got a new job in the city and our life started to feel more stable. Rent prices started increasing, which meant that if we ever wanted to move into a bigger apartment it was slim pickings and we would be paying twice as much as our studio, not much less than a mortgage payment.

Friends who know me well know that owning a home has been an obsession of mine for many years. I’ve had landlords who didn’t pay for heat and I’ve been evicted by a move-in owner. I’ve lived in an artist cooperative that was low-cost and high-stress. I’ve been the victim of an apartment fire that destroyed all my belongings. When it comes to art, I love risk and surprise and discovery. When it comes to housing I am all about stability.

Most of the people I know in San Francisco think that home ownership here is beyond their reach. However, of the few people I know in SF who are homeowners, many are artists and arts workers who either a) bought in the 1970s, when housing affordability was comparable to what it is today, or b) qualified for a subsidized housing program.

if you are an artist or arts worker and think you will ever want to own a home, I strongly recommend taking a checking out your city or state assistance programs and taking a free class now. It’s worth it. You will learn about what’s possible and not possible and if your income is close to the below-market-rate eligibility limit, you may discover some windows of opportunity that you weren’t aware of. If you are thinking of buying a home with a partner, learning together will help get you on the same page.

When you consider the whole picture, including cost of studio space and tax breaks, you may learn that the cost of buying is closer to the cost of renting than you think, especially since the average rent in the city is now around $2,361 and rising. According to the National Association of Realtors Housing Affordability Index—which compares median home sale prices to median incomes and interest rates—housing affordability hasn’t been this strong since the 1970s.

If I sound like an evangelist, it’s because I am. I believe that homeownership is to community as marriage is to love. It is weighed down by taxes, politics, finances and the expectations of family and friends. It is easier for those who grew up with privilege to become homeowners, and it’s not necessary—you can be part of a community without it. But homeownership is also about commitment. It’s about roots, about going “all in” and tying yourself to a neighborhood and a city. I want to see as many artists and arts workers as possible living in their city of choice, invested in their community, un-evictable and empowered.

So, I will follow up on this blog with some details about our process in the hope that it will help someone else buy a home. If there is anything in particular you want to hear about  (navigating big decisions with a partner, negotiating an offer, choosing a neighborhood, working with a lender) let me know and I will try to write something.

 

The Evolution of Private Label: Is Your Programming Incandescent?

In the shadow of federal funding cuts there has been a spike in online dialogue about how we communicate the value of the arts, including some excellent essays by Howard Sherman and Arlene Goldbard.

Surprisingly, I wasn’t thinking about arts funding this morning when I stumbled on this article by Lauren Story, “The Evolution of Private Label: Assessing Retailers’ Strategic Motives.” But if you participate in your organization’s strategic thinking about program development and outreach, it’s a worthwhile read. Why? Because the big challenge retailers are facing (shoppers are making fewer trips, cutting spending) is identical to the challenge faced by those of us in the arts (participation is down, so is revenue).

As someone who works in community-based art, I’m hesitant to use the word “private” in any way lest it be seen as elitist, inaccessible, unappealing. But “private label” is an industry term which refers to a brand not owned by a producer but rather by a retailer who gets goods from a manufacturer and offers them under its own label. There are some obvious parallels to the arts if you are a presenter, service provider or simply working more and more collaboratively.

In brief, some takeaways from the article: CONTINUE READING ]

Doing It Right: Chapter Three on Project Management

I stumbled upon this fantastic article by Chapter Three‘s Creative Director Nica Lorber, How To Run A Creative Design Process For A Big Project. The guidelines are common sense for anyone with a little experience, but the “deliverables” and the “tools of the trade” make this article worth reading. It is tailored to Drupal and web design, but could be applied to any number of creative design projects.